New York Times Fashionさんのインスタグラム写真 - (New York Times FashionInstagram)「Misha Japanwala, a visual artist, spent several months last year making body castings of local women and LGBTQ people in Karachi, Pakistan, where she grew up. The nipples she plaster cast from the bodies of 70 anonymized Pakistani people are part of Japanwala’s new collection, “Beghairati Ki Nishaani: Traces of Shamelessness,” showing at Hannah Traore Gallery in Manhattan through July 30. Her work aims to be a historical record of a population governed by the laws of shame. In a country where violence against women, including “honor killings,” is rampant, attending an Aurat (Women’s) March, a rally for women’s rights, has led to threats of murder and rape. “When so much of our existence has been subject to a campaign of disappearance, this collection is a present day, physical reminder that our lives and our stories are part of the fabric of our people, and will continue to be so even hundreds of years from now,” Japanwala said in an interview with The New York Times. As her work gained visibility, the comments under pictures of her work on Instagram were littered with strangers calling her shameless and obscene.As a result, Japanwala developed an obsession with the concept of shame, transforming shamelessness into an area of study. There are three parts to the collection: the core, a series of body castings of Pakistani artists and painters who embrace shamelessness in the images they create. See more of @mishajapanwala’s work at the link in bio. Photo by @zay.ira」5月5日 4時10分