C E R E A Lさんのインスタグラム写真 - (C E R E A LInstagram)「The eponymous architect behind rue Mallet-Stevens carved out his own style of modernism, taking cues from cinema and embracing a variety of avant-garde vocabularies of the time, including cubism and surrealism. 10 rue Mallet Stevens, also known as Hôtel Martel, is the most faithfully preserved of the six villas on the historic street. A complex of large workshops on two levels and three self-contained apartments, it was originally built for sculptors Jean and Joel Martel. The building’s distinctive interior architecture, a fluid puzzle of high ceilings, large windows and mezzanine levels, was designed to accommodate the needs of their art practice.  Jean Prouvé was the metalsmith behind much of the original hardware, including the polished stainless steel handles on the sliding doors to the terrace, and the convex door of the ‘Studio-Bar’, designed by Charlotte Perriand and now part of the Centre Pompidou collection.   When Eric Touchaleaume of Galerie 54 acquired the building in 2007, its subtly theatrical spaces already displayed great attention to craftsmanship. Having completed his own intensive restoration, he now lives in Jean Martel’s former apartment, and the brothers’ studio space is home to Galerie 54’s antique furniture collection.  📷: @yoshihiromakino 🖊: Jae Lee  Read the full story via the link bio.」12月24日 2時41分 - cerealmag

C E R E A Lのインスタグラム(cerealmag) - 12月24日 02時41分


The eponymous architect behind rue Mallet-Stevens carved out his own style of modernism, taking cues from cinema and embracing a variety of avant-garde vocabularies of the time, including cubism and surrealism. 10 rue Mallet Stevens, also known as Hôtel Martel, is the most faithfully preserved of the six villas on the historic street. A complex of large workshops on two levels and three self-contained apartments, it was originally built for sculptors Jean and Joel Martel. The building’s distinctive interior architecture, a fluid puzzle of high ceilings, large windows and mezzanine levels, was designed to accommodate the needs of their art practice.

Jean Prouvé was the metalsmith behind much of the original hardware, including the polished stainless steel handles on the sliding doors to the terrace, and the convex door of the ‘Studio-Bar’, designed by Charlotte Perriand and now part of the Centre Pompidou collection.

When Eric Touchaleaume of Galerie 54 acquired the building in 2007, its subtly theatrical spaces already displayed great attention to craftsmanship. Having completed his own intensive restoration, he now lives in Jean Martel’s former apartment, and the brothers’ studio space is home to Galerie 54’s antique furniture collection.

📷: @yoshihiromakino 🖊: Jae Lee

Read the full story via the link bio.


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