The New Yorkerのインスタグラム(newyorkermag) - 6月25日 23時05分

Between 1994 and 2001, Stéphane Breitwieser and his girlfriend Anne-Catherine Kleinklaus stole billions of dollars’ worth of art from museums and galleries. They carried no weapons, and never hurt anyone. They did not use the stolen art to fund other illegal activities or sustain an extravagant life style. They simply took it home to their attic rooms and admired it. “A heist, to be clear, is not a legal category,” Kathryn Schulz writes. But it has become a genre, and one that continues to fascinate the journalist Michael Finkel, whose book “The Art Thief” documents Breitweiser’s unprecedented crimes: for eight years the Frenchman stole art roughly three out of four weekends per year, amassing some 300 works. Tap the link in our bio to read about the heist hero, for whom the best theft is not so much stylish as invisible. Illustration by @gduboisstudio.

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