大英博物館さんのインスタグラム写真 - (大英博物館Instagram)「Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today.  San Minn’s 1986 painting of a car with tank treads exposes the corruption where cars, housing, education and modern healthcare became available only to those with military connections.  The colour red was often censored for its allusions to violence and rebellion, and as such was seen as a criticism of the government. Its deliberate use here makes precisely that connection, and the painting was censored for these connotations.  #BurmaToMyanmar concludes by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.  Read more in our curator’s blog – link in bio.   Supported by Zemen Paulos and Jack Ryan  🔎 San Minn (1951–2021), ‘Express 2’. Oil on canvas, 1986. Reproduced by permission of the artist's family.  #BritishMuseum #BurmaToMyanmar」7月19日 19時00分 - britishmuseum

大英博物館のインスタグラム(britishmuseum) - 7月19日 19時00分


Annexation by the British in the 19th century saw tremendous changes impacting art, culture and society – and contributed to the turmoil faced by Myanmar today.

San Minn’s 1986 painting of a car with tank treads exposes the corruption where cars, housing, education and modern healthcare became available only to those with military connections.

The colour red was often censored for its allusions to violence and rebellion, and as such was seen as a criticism of the government. Its deliberate use here makes precisely that connection, and the painting was censored for these connotations.

#BurmaToMyanmar concludes by exploring how modern-day artists have defied state censors, marrying activism with artistic traditions in expressions of resistance and hope.

Read more in our curator’s blog – link in bio.

Supported by Zemen Paulos and Jack Ryan

🔎 San Minn (1951–2021), ‘Express 2’. Oil on canvas, 1986. Reproduced by permission of the artist's family.

#BritishMuseum #BurmaToMyanmar


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