Harper's BAZAARさんのインスタグラム写真 - (Harper's BAZAARInstagram)「For his highly-anticipated Killers of the Flower Moon—based on David Grann’s nonfiction book about a torrent of murders that terrorized the Native American Osage community in Oklahoma throughout the 1920s—director Martin Scorsese turned to costume designer Jacqueline West and Osage consultant Julie O’Keefe to do the story justice.  “A horrible time in our existence is being told on the screen. That’s hard enough,” O’Keefe tells BAZAAR. “So what we really wanted is exactly the type of thing that Martin Scorsese is known for: authenticity with a big A. He and [Leonardo DiCaprio] came to dinners with our elders. They had discussions with our community. After that, everyone in all three of our districts had their ears out—if we needed something, if we needed photographs, if we were stumped on something, if we needed feedback, they came to help.”  At the link in bio, West and O’Keefe reunite to talk about the process of creating the movie’s detailed costumes, the rich traditions behind the clothes onscreen, and the resounding support they got from the Osage community—which uncovered more than one piece of physical history.」10月22日 0時10分 - harpersbazaarus

Harper's BAZAARのインスタグラム(harpersbazaarus) - 10月22日 00時10分


For his highly-anticipated Killers of the Flower Moon—based on David Grann’s nonfiction book about a torrent of murders that terrorized the Native American Osage community in Oklahoma throughout the 1920s—director Martin Scorsese turned to costume designer Jacqueline West and Osage consultant Julie O’Keefe to do the story justice.

“A horrible time in our existence is being told on the screen. That’s hard enough,” O’Keefe tells BAZAAR. “So what we really wanted is exactly the type of thing that Martin Scorsese is known for: authenticity with a big A. He and [Leonardo DiCaprio] came to dinners with our elders. They had discussions with our community. After that, everyone in all three of our districts had their ears out—if we needed something, if we needed photographs, if we were stumped on something, if we needed feedback, they came to help.”

At the link in bio, West and O’Keefe reunite to talk about the process of creating the movie’s detailed costumes, the rich traditions behind the clothes onscreen, and the resounding support they got from the Osage community—which uncovered more than one piece of physical history.


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