AnOther Magazineさんのインスタグラム写真 - (AnOther MagazineInstagram)「“Ambiguity is best,” says @sakiko.nomura. “I think the Polaroid, which doesn’t capture exactly what you see but what you feel, connects well with my philosophy” 🖤⁠ ⁠ Evoking male beauty without resorting to macho-masculine ideals makes Nomura’s voice a very precious one in the history of post-war Japanese photography. Nomura’s soft – what might be called “feminine” – gaze is all the more radical for the fact that she served as Nobuyoshi Araki’s first (and only ever) assistant in the early 1990s.⁠ ⁠ At the link in bio, @alessandro.merola._ speaks with the photographer about being Araki's “favourite disciple”, why she feels compelled to make books, and assembling her deeply intimate Polaroids 📲⁠ ⁠ 📸 Room 416 © Sakiko Nomura. Courtesy of @galerieecho119⁠」11月29日 21時55分 - anothermagazine

AnOther Magazineのインスタグラム(anothermagazine) - 11月29日 21時55分


“Ambiguity is best,” says @sakiko.nomura. “I think the Polaroid, which doesn’t capture exactly what you see but what you feel, connects well with my philosophy” 🖤⁠

Evoking male beauty without resorting to macho-masculine ideals makes Nomura’s voice a very precious one in the history of post-war Japanese photography. Nomura’s soft – what might be called “feminine” – gaze is all the more radical for the fact that she served as Nobuyoshi Araki’s first (and only ever) assistant in the early 1990s.⁠

At the link in bio, @alessandro.merola._ speaks with the photographer about being Araki's “favourite disciple”, why she feels compelled to make books, and assembling her deeply intimate Polaroids 📲⁠

📸 Room 416 © Sakiko Nomura. Courtesy of @galerieecho119


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