ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「"I was l’étranger, the foreigner, I was a refugee, I was stateless." —Christo  "Christo: Early Works"—a presentation of early works by Christo curated by Elena Geuna—opens at 4 Princelet Street in the Spitalfields area of London on October 6. The exhibition is the inaugural project in the Gagosian Open series of off-site projects.  Alluding to the safeguarding of personal belongings, the works on view, most of which are from the 1960s and 1970s, also speak to ideas of movement, migration, and preservation. The artist’s mixed heritage and experience as a political refugee, daringly escaping Stalin-era Bulgaria to Prague, then relocating to Vienna, Geneva, Paris, and eventually New York, defined him as an eternal wanderer—“l’étranger,” as he referred to himself. Follow the link in our bio to learn more.  __________ #GagosianOpen #Christo #ChristoandJeanneClaude #Gagosian @christojeanneclaude  Christo, "Dolly," 1964 © Christo and Jeanne-Claude Foundation. Photo: Eeva-Inkeri」9月19日 7時02分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 9月19日 07時02分


"I was l’étranger, the foreigner, I was a refugee, I was stateless."
—Christo

"Christo: Early Works"—a presentation of early works by Christo curated by Elena Geuna—opens at 4 Princelet Street in the Spitalfields area of London on October 6. The exhibition is the inaugural project in the Gagosian Open series of off-site projects.

Alluding to the safeguarding of personal belongings, the works on view, most of which are from the 1960s and 1970s, also speak to ideas of movement, migration, and preservation. The artist’s mixed heritage and experience as a political refugee, daringly escaping Stalin-era Bulgaria to Prague, then relocating to Vienna, Geneva, Paris, and eventually New York, defined him as an eternal wanderer—“l’étranger,” as he referred to himself. Follow the link in our bio to learn more.
__________
#GagosianOpen #Christo #ChristoandJeanneClaude #Gagosian @christojeanneclaude
Christo, "Dolly," 1964 © Christo and Jeanne-Claude Foundation. Photo: Eeva-Inkeri


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