ニューヨーク・タイムズさんのインスタグラム写真 - (ニューヨーク・タイムズInstagram)「Anything Beyoncé does becomes a cultural event, but her Renaissance World Tour has become a cultural movement. People are crossing the globe to see her, comparing set lists and fashion choices and attending multiple shows. Silver and rhinestones have become Renaissance signals, as recognizable as any big brand logo. Products that she has used on tour are selling out, and chrome is appearing in fall look books.   The tour has broken Madonna's record, set in 2009, for the highest-grossing tour by a solo female artist. By its close, Beyoncé will have generated an estimated $4.5 billion for the American economy, about as much as the 2008 Olympics did for Beijing.  Read more about the record-breaking tour at the link in our bio. Photos by @markosian and Nick Feder for The New York Times.」10月2日 6時10分 - nytimes

ニューヨーク・タイムズのインスタグラム(nytimes) - 10月2日 06時10分


Anything Beyoncé does becomes a cultural event, but her Renaissance World Tour has become a cultural movement. People are crossing the globe to see her, comparing set lists and fashion choices and attending multiple shows. Silver and rhinestones have become Renaissance signals, as recognizable as any big brand logo. Products that she has used on tour are selling out, and chrome is appearing in fall look books.

The tour has broken Madonna's record, set in 2009, for the highest-grossing tour by a solo female artist. By its close, Beyoncé will have generated an estimated $4.5 billion for the American economy, about as much as the 2008 Olympics did for Beijing.

Read more about the record-breaking tour at the link in our bio. Photos by @markosian and Nick Feder for The New York Times.


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