The New Yorkerさんのインスタグラム写真 - (The New YorkerInstagram)「With 19 galleries that bear his name, from New York to London to Athens to Hong Kong, generating more than a billion dollars in annual revenue, Larry Gagosian may well be the biggest art dealer in the history of the world. He represents more than 100 artists, living and dead, including many of the most celebrated and lucrative: Jenny Saville, Anselm Kiefer, Cy Twombly, Donald Judd. All told, Gagosian has more exhibition space than most museums. He’s been known to observe, with the satisfaction of Alexander the Great, “The sun never sets on my gallery.” How did he amass such influence, and what impact has it had on the art world? At the link in our bio, Patrick Radden Keefe (@praddenkeefe) profiles Gagosian, speaking with venerated artists, billionaire collectors, and the mega-gallerist himself.  Photograph by @tinabarney_ for The New Yorker; Artworks © 2023 Mondrian/Holtzman Trust; Reproduced by permission of the Henry Moore Foundation (2); © Estate of Roy Lichtenstein; © Ed Ruscha; © Jeff Koons.」7月25日 4時01分 - newyorkermag

The New Yorkerのインスタグラム(newyorkermag) - 7月25日 04時01分


With 19 galleries that bear his name, from New York to London to Athens to Hong Kong, generating more than a billion dollars in annual revenue, Larry Gagosian may well be the biggest art dealer in the history of the world. He represents more than 100 artists, living and dead, including many of the most celebrated and lucrative: Jenny Saville, Anselm Kiefer, Cy Twombly, Donald Judd. All told, Gagosian has more exhibition space than most museums. He’s been known to observe, with the satisfaction of Alexander the Great, “The sun never sets on my gallery.” How did he amass such influence, and what impact has it had on the art world? At the link in our bio, Patrick Radden Keefe (@praddenkeefe) profiles Gagosian, speaking with venerated artists, billionaire collectors, and the mega-gallerist himself.

Photograph by @tinabarney_ for The New Yorker; Artworks © 2023 Mondrian/Holtzman Trust; Reproduced by permission of the Henry Moore Foundation (2); © Estate of Roy Lichtenstein; © Ed Ruscha; © Jeff Koons.


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