テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「In one image by the British photographer Vanessa Winship, a group of Kosovan refugees – mostly children – stand on a hillside, staring fixedly in the same direction. Whatever they are looking at is out of shot. An older man holds out his arm in a gesture that is part reprimand, part plea. The children around him look fearful; some clutch empty buckets and pots.  While the picture looks gloomy with the thick clouds rolling above them, what is most moving about this image is the sturdy, determined and dignified expressions worn by some of the figures, despite the devastation in front of them. The picture was taken at a transit camp in May 1999 – towards the end of the Kosovo War – in the mountainous Kukës region in Albania.  Winship’s work is not only a photographic documentation of the Balkan conflict but a powerful record of the lived experience of war. Her images show us families creating homes in makeshift tents in refugee camps or children playing in decimated buildings. Without hiding the uncertainty, humiliation and confusion of war, her series allows us to sit with the plight of the displaced.  Read journalist and writer Ismail Einashe’s full Tate Etc article on Vanessa Winship’s incredible series via the link in our bio. 🔗」8月23日 3時01分 - tate

テート・ギャラリーのインスタグラム(tate) - 8月23日 03時01分


In one image by the British photographer Vanessa Winship, a group of Kosovan refugees – mostly children – stand on a hillside, staring fixedly in the same direction. Whatever they are looking at is out of shot. An older man holds out his arm in a gesture that is part reprimand, part plea. The children around him look fearful; some clutch empty buckets and pots.

While the picture looks gloomy with the thick clouds rolling above them, what is most moving about this image is the sturdy, determined and dignified expressions worn by some of the figures, despite the devastation in front of them. The picture was taken at a transit camp in May 1999 – towards the end of the Kosovo War – in the mountainous Kukës region in Albania.

Winship’s work is not only a photographic documentation of the Balkan conflict but a powerful record of the lived experience of war. Her images show us families creating homes in makeshift tents in refugee camps or children playing in decimated buildings. Without hiding the uncertainty, humiliation and confusion of war, her series allows us to sit with the plight of the displaced.

Read journalist and writer Ismail Einashe’s full Tate Etc article on Vanessa Winship’s incredible series via the link in our bio. 🔗


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