The New Yorkerのインスタグラム(newyorkermag) - 9月2日 09時00分

Wong Kar Wai’s “In the Mood for Love” is “the kind of singular art work that stands in as a shorthand for one’s personal taste,” Kyle Chayka writes. The film, released in 2000, has since inspired a number of movies, including “Moonlight,” “Lost in Translation,” and “Everything Everywhere All at Once.” Its aesthetic has also become the template for thousands of selfies, Instagram posts, and TikTok videos for young people seeking to romanticize their lives. This aesthetic is made up of a collection of ingredients: alleyways in dense cities, neon lights, quietly flashy fashion, and the smoke of many, many cigarettes. “The environment of mid-century Hong Kong might be wholly unfamiliar, but the emotion is utterly recognizable,” Chayka writes. At the link in our bio, explore an interactive piece showing how each of the film’s elements—image, sound, dialogue—come together to make an elaborate, intimate, greater whole.

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