The New Yorkerのインスタグラム(newyorkermag) - 11月17日 04時05分

There’s not a church, palazzo, piazza, or staircase in Rome that hasn’t been rendered by a succession of ace photographers working with state-of-the-art gear—and by centuries of open-air painters before them. With all that visual history, the challenge for any photographer is how to make things new, Paul Elie writes. The appeal of Perry Hall’s (@perryhallphoto) street photography is that it answers the question without ever openly asking it. Hall uses a Leica and black-and-white film, but his work is light of touch and free of hat tips to the past. See more of Hall’s photos at the link in our bio.

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