テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「'I learned how to paint from looking at painting and I continue to learn from looking at painting. In that sense, history serves as a resource. But the bigger draw for me is the power that painting can wield across time.' 🖌️ @lynetteyiadomboakye  Yiadom-Boakye's portraits are inspired by her fascination with the history of figurative painting. Her work can perhaps also be seen as a critique of this history, addressing the absence of black subjects in western European and North American portraiture. 🌍   The characters Yiadom-Boakye portrays are imaginary, not based on any particular person. She constructs deliberately ambiguous scenes for them, encouraging us to project our own meaning on to the work. ✨  🖼️ The Generosity, Lynette Yiadom-Boakye, 2010」10月11日 1時15分 - tate

テート・ギャラリーのインスタグラム(tate) - 10月11日 01時15分


'I learned how to paint from looking at painting and I continue to learn from looking at painting. In that sense, history serves as a resource. But the bigger draw for me is the power that painting can wield across time.' 🖌️ @lynetteyiadomboakye

Yiadom-Boakye's portraits are inspired by her fascination with the history of figurative painting. Her work can perhaps also be seen as a critique of this history, addressing the absence of black subjects in western European and North American portraiture. 🌍

The characters Yiadom-Boakye portrays are imaginary, not based on any particular person. She constructs deliberately ambiguous scenes for them, encouraging us to project our own meaning on to the work. ✨

🖼️ The Generosity, Lynette Yiadom-Boakye, 2010


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