The New Yorkerのインスタグラム(newyorkermag) - 12月5日 11時00分

This year, our critic Amanda Petrusich “really only wanted to hear far-out music that met or reflected our era of generalized collapse,” she writes. “For the first time, I found myself thrashing against the seduction of newness, and moreover the presumption that newness is always where the heat is.” Tap the link in our bio to see Petrusich’s 12 favorite albums of the year, the top three of which are “mid-career masterpieces from artists who have been making serious, thoughtful work for more than a decade.” Illustration by @aaronlowell.

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